Judith H. Dobrzynski
Judith H. Dobrzynski
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Pundicity: Informed Opinion and Review
 

Latest Articles

Cultural Conversation: A Detective's Perspective on the Rapid Rise in Art Theft
Robert K. Wittman, a former FBI agent who specialized in investigating the crime, discusses the recent trend that has seen crown jewels, paintings and more stolen from institutions across Europe.

September 15, 2026  •  THE WALL STREET JOURNAL

Before dawn on Sept. 8, thieves in southern France broke into what was Impressionist painter Pierre-Auguste Renoir's last home, now a museum, and escaped with two of his paintings. In August, unmasked men absconded with a 200-carat Van Cleef & Arpels platinum and diamond necklace from Vienna's Museum of Applied Arts; thieves stole several Bronze Age objects—some crafted in 23.5 karat gold—from an archaeological museum in Villena, Spain; and criminals took four paintings by the 15th-century master Antonello da Messina from a Sicilian museum. (Estimated combined value: more than $100 million.)

Wittman

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'A Nation of Artists' Review: Our Country's Creativity
A joint exhibition at the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts highlights the rich history of American painting, sculpture, design and more.

September 8, 2026  •  THE WALL STREET JOURNAL

Philadelphia

American art—definitionally—has had a checkered existence. Early artistic attempts were largely derivative of European art; Native American and folk art weren't taken seriously until recent decades, and decorative objects were deemed "industrial arts" for a long time. Not until the 19th century, with the birth of the Hudson River School, could the U.S. claim a native-born style and, even then, only in the mid-20th century, with the advent of Abstract Expressionism, did American art gain worldwide recognition.

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Review: 'Avery, Gottlieb & Rothko: By the Sea' -- Illuminating an Unlikely Kinship
At the Cape Ann Museum, the overlooked connection between the three, forged during their summers in Gloucester, Mass., is brought to light.

August 3, 2026  •  THE WALL STREET JOURNAL

Gloucester, Mass.

In the 1930s and '40s, three friends—all artists, one almost a generation older than the others—spent their summers here, sketching and painting the picturesque environs of America's oldest continuously operating seaport. They are known for very different styles: Milton Avery (1885-1965) for his colorful, flat, figurative scenes; Adolph Gottlieb (1903-1974) for his abstractions, especially those featuring a sun-like orb over a burst of color; Mark Rothko (1903-1970) for his color-block paintings evoking emotion, not image.

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'Matisse's "Femme au chapeau": A Modern Scandal': The Legacy of a Revolutionary Portrait
An exhibition at the San Francisco Museum of Modern Art considers the controversial 1905 painting and the Salon that launched the artist and his fellow Fauvists to fame.

July 27, 2026  •  THE WALL STREET JOURNAL

San Francisco

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'The Etruscans: From the Heart of Ancient Italy': A Civilization's Overshadowed Splendor
San Francisco's Legion of Honor hosts a survey dedicated to the ancient society, ranging from detailed works in gold to bronze ritual objects.

July 20, 2026  •  The Wall Street Journal

San Francisco

They were ancient Italy's first great engineers, ambitious road-builders who drained land for development and showed the Romans how to build their famous aqueducts. They pioneered winemaking, loved banquets and included women in public life. They saw messages from the divine in thunder and lightning, bird flight and the entrails of sacrificed animals. And they developed an alphabet that evolved into the Roman letters used throughout Western civilization today.

Vanth

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